#MUHAMMAD MESSENGER OF GOD 2015 MOVIE MOVIE#

Attempting to meld theology and lore with his personal experience of religion, Majidi is undone by the scope of the narrative.

#MUHAMMAD MESSENGER OF GOD 2015 MOVIE MOVIE#

He does convey the connections and similarities among Islam, Judaism and Christianity, but with storytelling thatвЂ™s more distancing than engaging, the movie wonвЂ™t reach many audiences unschooled in the Islamic faith. But he hasnвЂ™t breathed much vibrancy into that world, let alone urgency.

And the filmвЂ™s climactic action, in an impoverished seaside town, delivers a dynamic fusion of mystery and physicality thatвЂ™s all too lacking elsewhere.Д®xcept for a few scenes produced in South Africa, most of the shoot took place at a large-scale set in the Iranian city of Qom, where, with the essential contributions of production designer Miljen Kreka Kljakovic and costume designers Michael OвЂ™Connor and Seyed Mohsen Shahebrahimi, Majidi re-created an ancient world, beautifully detailed (among the many costume personnel are a considerable number of veil sewers). The kinetic fluency of the latter sequence also enlivens a pivotal chase involving an errant camel. Quieter moments, though, have a lyrical or transporting quality, especially when Storaro is shooting from MuhammadвЂ™s p.o.v.: a crescent moon reflected in water the childвЂ™s glittering vision of the Kaaba, MeccaвЂ™s central structure a joyous sprint through Medina, with its stream-washed fruit and baskets of rose petals. The would-be bravura sequence never transcends artifice. CGI elements can be similarly strained, as in the rain of stones that saves Mecca from the Abyssinian вЂњarmy of elephant ridersвЂќ led by Abraheh ( Arash Falahat Pishe) and presages the birth of the prophet. MuhammadвЂ™s compassion is evidenced in the kindness he extends to a group of slaves, while a drastically overdone scene at his foster motherвЂ™s sickbed announces his healing abilities in a way thatвЂ™s as histrionic as RahmanвЂ™s score. Read more Fatwa Issued Against Slumdog Millionaire Composer A.R. вЂњLet him remain unknown if you love him,вЂќ AmenehвЂ™s father-in-law tells her, and sheвЂ™s offered little comfort as she recognizes that the boy belongs to something far greater than their blood bond. But just when Ameneh is celebrating the boyвЂ™s return, his paternal grandfather ( Alireza Shoja Nouri) sends him away again to protect him from the prying of those who suspect that heвЂ™s the prophesied spiritual messenger, among them the Jewish leader Samuel ( Mohsen Tanappabandeh). Muhammad is denied a wet nurse by a grudging, materialistic uncle Abu-Lahab (Mohammad Asgari) and his Lady Macbeth-ish wife, Jamileh ( Rana Azadivar), and eventually is fostered by a Bedouin couple ( Hamidreza Tajdolat and Sareh Bayat). The infant MuhammadвЂ™s widowed mother, Ameneh (Mina Sadati), who isnвЂ™t able to feed the baby, is at the mercy of her late husbandвЂ™s prominent Meccan family. Choppy transitions donвЂ™t help.Д«ut between the variously stiff and schmaltzy scenes, Majidi taps into some wrenching maternal drama. Those not familiar with the story of GodвЂ™s last prophet on Earth will spend a good portion of the running time trying to sort out whoвЂ™s who. Majidi and co-scripter Kambozia Partoei have bookended the story with scenes set decades later, when Muhammad and his followers are fighting for survival against the sanctions of the pagan elders of Mecca, led by Abu-Sofian ( Darioush Farhang), who disdains the upstart worshippers of an вЂњinvisible god.вЂќ The bulk of the film is an episodic flashback to MuhammadвЂ™s childhood and the intrigue brewing around him. From a birth tableau not unlike the Nativity, through his peripatetic youth as a merchant with his uncle Abu-Talib ( Mehdi Pakdel), the figure of Muhammad is always infused with a white light that marks him as extraordinary, as does the profound effect he has on those around him. Muhammad is seen mainly from the back or with his long hair obscuring his face, and his voice is heard on occasion (in comparison, the last major film on the subject, Moustapha AkkadвЂ™s 1976 The Message, avoided onscreen images and dialogue for the prophet). Read more вЂњTerrorism, Bombing and BrutalityвЂќ Nothing To Do With True Islam, Says Mohammed Director

Muhammad messenger of god 2015 movie